A friend of mine has been doing some writing lately, conjuring up her past and mining it for meaning. I’ve known Amie for almost ten years, but we didn’t connect that often until she started emailing me with questions. How do I manage my fear that what I’m writing might offend someone? How do I get out of my characters’ heads? What’s the best way to write a compelling sex scene? Her questions were insightful and curious, and I had such fun answering them, almost as much fun as I had reading her work, which is all about music and seduction and sex.
Then Amie emailed to say that a friend of hers, the fabulous photographer Josh Baker, wanted to play around with one of the scenes from my novel, The Crossing, which comes out this summer. So I met with him, and he was just as engaging and focused and creative in person as I might have assumed from seeing his work.
And suddenly I had a photo shoot on my calendar.
Initially I thought I wanted to do something without actors. After all, readers generally like to use their imaginations when they’re envisioning a character, and I wasn’t sure I wanted to commit to a certain “look” before The Crossing is even published. But while Josh was willing to let me try to recreate Joel and James’s living room, I knew that working with models would be so much more provocative for him. And since Josh can create a rain storm on a clear night, I figured I should trust him when he said he could shadow the shots so that the models themselves are a mere suggestion but the chemistry would bleed through.
Of course, for that kind of chemistry I knew I needed some stellar actors. So I started searching.
I looked through a LOT of head shots. But Evan Shaw I kept coming back to. I could see that he was every bit the professional I needed. When he read the scene in question he said he could really sympathize with Joel’s longing and vulnerability. That didn’t surprise me, given the photo he’d sent.
Now I’m gearing up for the shoot itself: a bottle of wine, a corkscrew, a pack of Marlboros. I’m keeping an eye on the weather, which so far looks like it’s going to be a little cool for the date (how perfect, given that the scene actually takes place in October). I’m trying to find out if Evan has a pair of boots, the kind that Joel describes as “heavy Redwings I’ve worn so often that the leather has softened like a kiss” and that Shelton, James’s homophobic fraternity brother, says makes him think Joel’s “plunging toilets or nailing A-frames in his spare time.”
You want to hear how this photo shoot goes? Then you should check back in.
And in the meantime, if there’s a scene from my fiction that you’d love to see re-created, comment below. I just might be able to make it happen.
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